What Goes Around Comes Around
Brenda Levy, flute, David Halpert, clarinet, James Lewin, viola, Edward Bowe, oboe, Robert Secombe, piano, Frank Werber, cello, Larry Bell, conductor, August 1, 1992, Bennington College Chamber Music Conference, Bennington, Vermont
20th-Century Music Ensemble, December 9, 1994, The Boston Conservatory: Ellen Rakatansky, flute, Tanya Wills, oboe, Kenji Kikuchi, clarinet, Jan Bofinger, viola, Galizitine Trussell-Cullen, cello, Scott Ethier, piano, Yoichi Udagawa, conductor.
Bell’s What Goes Around Comes Aroundwas commissioned in 1992 by the Bennington College Chamber Music Festival and Composers Forum of the East, where Bell was Composer-in-Residence and conducted the premiere. Written for specific participants of the Festival, it is a streamlined version of the last movement of the composer’s Second Symphony. The work also involves an improvisation on the Southern folk hymn “Idumea.” The title refers to a common figure of speech, suggested here by a tone of ominous warning. It begins and ends with a round.
More Chamber Music Works
String Quartet no. 4, Epiphany, Opus 196
Clearing the Clouds from Our Minds, Opus 157
Serenade No. 4, Walk That Lonesome Valley, Opus 112
Serenade No. 2 for alto recorder, cello, and harpsichord, Opus 98
Poems for Trumpet and Piano, Opus 85
Two Encores: 1, Canon; 2, Lament, Opus 78 no. 2
Two Encores: 1, Canon; 2, Lament, Opus 78 No. 1
Harmonium: Eight Poems for Brass Quintet after Wallace Stevens, Opus 48
Four Pieces in Familiar Style, Opus 41
Concerto for Oboe and Five Instruments, Opus 32
The Book of Moonlight, Opus 31
“Sleep Song” a children’s piece for violin and piano, Opus 18
Fantasia on an Imaginary Hymn, Opus 17