Spring: In the Pendulum of My Body
a song cycle for baritone and harpsichord
Elizabeth Kirschner
IN THE PENDULUM OF MY BODY
Listen to the tender ears of darkness
warm as cupped peaches—
do not cry! The breezes
mill through the wall, knowing
the door is always open. Refresh
your joy in the pendulum
of my body, its grave, golden weight.
Sweet love, it’s spring—
sleep with the windows open!
A TINY ELEGY
In darkness. I toss blossoms
into a brook while standing in
a red gazebo. I face pain
and my soul drifts into the murmuring
waters. Moody spring comes
wild with green waste: why
does love cling to me when I’m least
alive? Why do I retire from ecstasy?
O green stems! O flowery boughs!
May the goddess of spring paint
silken watercolors upon my despair
even though bird chirp begins
and ends in me. Marooned in gloom,
dark clouds are dead asleep, clouds
which could be broken like shared bread.
This is what that goddess says:
do not donate your music to the gods.
And so every fallen blossom is a tiny elegy.
And so a mass of manic crows
fly out, fly out from the wounds in trees
while airy spirits abandon me.
ENCHANTMENT
I thought I saw a butterfly
mazed in March wind,
Black wings, black wings
flew through the hips of God
like a blown kiss amidst
endless spring, endless you
IN A GARDEN OF DREAMERS
In the branches of cherry trees
sweet wine foams from spring-to-spring.
You are vernal. You open the gates
behind which the sky flies.
Your smile keeps death at bay
and pearly seeds glow in darkness
quiet as an infant sung to sleep.
When we are together
the luminous water
fills the flask. In the glory
of clouds, we are enwrapped, enraptured.
How else could we keep standing
hand-in-hand, encased in invisible blossoms?
MY SPRING APPARITION
I love you all the more
when fish shed their golden scales—
lick one from the tip of my rosy finger
and you will taste at least a dozen of my souls. A certain tingle of light mingles in your hair.Without the melting diademy
of musicwhere would we be?
The poetry inside
sleeping buds lulls me to sleep when
I lie next to you. I have been writing
to you all my life. You are my spring apparition, returned. I cannot make a song without you. I cannot embrace the dawn unless
you embrace it from the other side.
Aren’t we borne away upon the same
breast of a blushing bird? Flesh
unto flesh, a thin shimmer of being
surrounds us. Inside a silver box
a ballerina sighs a love cry.
She sighs it for you. She sighs it for me.
O happy, happy love!
May 19, 2010, Philip Lima, baritone, Paul Cienniwa, harpsichordist, Brown Hall at New England Conservatory.
January 16, 2012, Philip Lima, baritone, Paul Cienniwa, harpsichordist, First Church Boston
These song cycles represent my four-part work called The Seasons, op. 101. Each of the four song cycles contains five songs and can be performed on its own. Fall: Autumnal Raptures, written in 2006 for tenor and harp, was especially conceived for Thomas Gregg and Emily Laurance. Winter: Exaltations of Snowy Stars is for mezzo-soprano and piano and was written for and first performed by D’Anna Fortunato and myself in January of 2008; here it is sung by Bethany Tammaro Condon. Spring: In a Garden of Dreamers, was written for Phillip Lima in the fall of 2009 and is scored for baritone and harpsichord. The final set Summer: The Fragrant Pathway of Eternity, is scored for soprano and guitar.
The most important element uniting these works is their common poet, Elizabeth Kirschner. Elizabeth’s poetry inspired each song in ways that I cannot consciously explain–nor would I wish to if I could. The poems are profoundly intimate, refreshingly free of pessimism, and vividly imagistic. Most importantly, perhaps, is that they clearly originate from a determining artistic personality that feels perfectly suited to my own.
More Vocal and Choral Works
The Prism of the Lyre, Opus 197
Seven Principles for SATB chorus acapella No. 7, Opus 193
In Common Things for soprano and piano, Opus 190 no. 2
Music when soft voices die, no. 1, Opus 190 no. 1
The Shadows Fall So Gently, Opus 181
Parables of Love and Death, Opus 173
A Hymnbook for Congregational Singing, Opus 169
The Harp at Nature's Advent, Opus 167
Thou God of Love, Thou Ever Blessed, Opus 164
Blest Are the Sons of Peace, Opus 16
O God our Help in Ages Past, Opus 162
Awake our Souls, Away our Fears, Opus 160
Once to Every Soul and Nation, Opus 144
Arrangements of Congregational Music for Thanksgiving, Opus 142
I'm Just A Poor Wayfaring Stranger, Opus 131
And Am I Born to Die?, Opus 129
Fancies, a cycle of five songs for Tenor and Piano, Opus 117
Revels, A cycle of ten songs for Baritone Voice and Piano, Opus 114
The Echolocations of Cellos, Opus 108
The Seasons, A Cantata, Opus 101
Summer: The Fragrant Pathway of Eternity, Opus 100
Duet from Holy Ghosts, Opus 93
Winter: Exaltations of Snowy Stars, Opus 929
Unchanging Love, a hymn based on a text by Romulus Linney, Opus 87
Fall: Autumnal Raptures, a song cycle for Tenor and Harp, Opus 86
Songs of Time and Eternity, Opus 64
Ten Poems of William Blake, Opus 53
“The Immortal Beloved”, Opus 50
A Cry Against the Twilight, Opus 42
“Prologue” and “The End of the World”, Opus 14
Reality Is an Activity of the Most August Imagination, Opus 8