“Song and Dance” was commissioned by Fred Cohen for his Currents ensemble at the University of Richmond. Written during the last two weeks of 1996, it was completed on New Years’ Eve 1997. The work is scored for an ensemble of thirteen soloists: woodwind quartet, brass trio, string quintet, and piano.

The titles of the work’s four movements–First Dance, Sing-a-long, Call and Response, and Last Dance–give the listener a sense of the popular style, or vernacular idiom, that influenced the composition. The titles also suggest a kind of participation asked of the listener; an invitation to sing and dance with the performers.

The phrase Song and Dance can also mean a put-on, something not quite what it appears to be. This “Song and Dance” is partly wistful, partly comic, playfully criss-crossing the border between seriousness and fun.