Serenade No. 2 for alto recorder, cello, and harpsichord
Prelude
Scherzino
Pastorale
Fugue
May 19, 2010, Aldo Abreu, alto recorder; Paul Cienniwa, harpsichordist; Sam Ou, cellist, Brown Hall at New England Conservatory.
January 16, 2012, First Church Boston
Part Baroque solo sonata with continuo, part chamber music trio, Serenade No. 2 was written in the fall of 2009 and is dedicated to my friend and colleague Aldo Abreu. The relative independence of the instruments departs from the older practice of using the harpsichord and ‘cello as accompaniment. The overall effect of the piece should be one of good-humored teasing, befitting the nature of a serenade.
More Chamber Music Works
String Quartet no. 4, Epiphany, Opus 196
Clearing the Clouds from Our Minds, Opus 157
Serenade No. 4, Walk That Lonesome Valley, Opus 112
Poems for Trumpet and Piano, Opus 85
Two Encores: 1, Canon; 2, Lament, Opus 78 no. 2
Two Encores: 1, Canon; 2, Lament, Opus 78 No. 1
String Quartet no. 3 (Homage to Beethoven), Opus 71
Harmonium: Eight Poems for Brass Quintet after Wallace Stevens, Opus 48
Four Pieces in Familiar Style, Opus 41
What Goes Around Comes Around, Opus 38
Concerto for Oboe and Five Instruments, Opus 32
The Book of Moonlight, Opus 31
“Sleep Song” a children’s piece for violin and piano, Opus 18
Fantasia on an Imaginary Hymn, Opus 17