Idumea Symphony (Symphony No. 2)
Hopkins Symphony Orchestra, Jed Gaylin, conducting, March 2, 1996, Baltimore, Maryland
“Idumea” (pronounced I-doo´-ma) is the Biblical name of a hymn tune taken from The Sacred Harp, an important nineteenth-century hymn book used widely in the South. The first line of text is the haunting question “And am I born to die?” This phrase and the awestruck concluding words of text “. . . and see the flaming skies,” are philosophical and imagistic points of departure for the music I composed for the Symphony.
The Idumea Symphonyis in four movements corresponding to the classical number and pacing of movements. The first movement, a monothematic sonata form in the tempo of a slow waltz, incorporates the borrowed hymn tune with my own harmonization. Here the character is visionary and ecstatic. The second movement, Transcendental Scherzo, has two distinct tempos: one a swinging, jazzy scherzo that parodies the hymn tune, and the other tempo is a very slow-moving version of the scherzo material written in a distant tonality. This second movement prophesizes the ominous fourth and last movement. Double Variation formally describes the third movement’s alternation between an original melody and the hymn tune. The finale has a punning subtitle “What Goes Around Comes Around.” The hymn tune is used here as the basis for “rounds” with rock-inspired rhythms culminating in a driving upbeat conclusion.
The Idumea Symphony was completed in the fall of 1996 with the help of a residency at the Virginia Center for the Creative Arts. The work is dedicated to its commissioner: Jed Gaylin and the Hopkins Symphony Orchestra.
More Orchestra / Large Ensemble Works
Symphony no. 4 op. 170 based on texts from the Psalms (KJV), Opus 170
Harmony in Blue and Silver for Wind Orchestra, Opus 153
Song of the Open Road, Opus 134
Songs of Reconciliation, Opus 120
David and Old Ironsides, Opus 89
Holy Ghosts, No. 1 Chorale Prelude for Wind Ensemble, Opus 80 no. 1
Dark Orange Concerto; a concerto for viola and winds, Opus 77
The Triumph of Lightness, a concerto for cello and chamber orchestra, Opus 70
Songs of Innocence and Experience, Opus 55
Short Symphony for Band, Opus 47
The Sentimental Muse, a Concerto for Bassoon and Orchestra, Opus 45
What Goes Around Comes Around, Opus 40A
The Idea of Order at Key West, Opus 13
Continuum for orchestra, Opus 3
Novelette Arranged for String Orchestra, Opus 1A (unperformed)