Concerto for Oboe and Five Instruments
Speculum Musicae, Steven Taylor, oboe, Benjamin Hudson, violin, Lois Martin, viola, Eric Bartlett, cello, Marji Danilow, doublebass, Aleck Karis, piano, April 24, 1989
Öesterreichesches Ensemble für Neue Musik, April 1994, Salzburg, Austria
Drammatico e maestoso
Adagio e grazioso
Rondo pop
The Concerto for Oboe and Five Instruments was commissioned by Speculum Musicae. It was written at the Virginia Center for the Creative Arts and finished at the American Academy in Rome in July 1988.
The work is in three movement of a neo-Classic caste–fast-slow-fast. Unlike the typical concerto, the solo instrument here plays the role of mediator: It is the strings that are concerted against the piano. In addition a common developmental characteristic occurs in each of the movements: thematic “role reversal” of the strings and the piano. For instance, the opening octaves in the strings return as octaves in the piano in the recapitulation of the first movement.
The first movement is marked “Drammatico e maestoso,” the second “Adagio e grazioso,” and the third “Rondo pop.” The entire work, and especially the second movement, contains Ivesian juxtapositions of different music. These are unified by constant reference to one hexachord used as a mode centering around the “key” of d minor. The “key,” or mode, contains many obvious inflections of the blues and much American popular music. The effect of collage is also controlled by large polyrhythmic structures that denote phrase and section articulations. The last movement in particular has a very rock-influenced rhythm.
Bibliography: Bell, Larry. “Some Remarks on the New Tonality,” Contemporary Music Review, vol. 6 part 2, 1992, pp. 42–47.
“[Bell’s] postmodernly structured compositional style, in which diverse elements link with one another, orient it to Arnold Schoenberg and Charles Ives, as well as to Pop, Rock, and Neoclassicism.” –Ulla Kalchmair, Salzburger Volkzeitung(April 30, 1994)
More Chamber Music Works
String Quartet no. 4, Epiphany, Opus 196
Clearing the Clouds from Our Minds, Opus 157
Serenade No. 4, Walk That Lonesome Valley, Opus 112
Serenade No. 2 for alto recorder, cello, and harpsichord, Opus 98
Poems for Trumpet and Piano, Opus 85
Two Encores: 1, Canon; 2, Lament, Opus 78 no. 2
Two Encores: 1, Canon; 2, Lament, Opus 78 No. 1
Harmonium: Eight Poems for Brass Quintet after Wallace Stevens, Opus 48
Four Pieces in Familiar Style, Opus 41
What Goes Around Comes Around, Opus 38
The Book of Moonlight, Opus 31
“Sleep Song” a children’s piece for violin and piano, Opus 18
Fantasia on an Imaginary Hymn, Opus 17