The Choir of First Church in Boston, Paul Cienniwa director, performs Give all to Love from Larry Thomas Bell’s Emersonia, Op. 133 in concert on January 27, 2013.

The Choir of First Church in Boston, Paul Cienniwa director, performs Concord Hymn from Larry Thomas Bell’s Emersonia, Op. 133 in concert on January 27, 2013.

Sam Ou’s Cello Recital at Old South Church in Boston, MA
March 15, 2012
Larry Bell: The Black Cat (Based on a Story by Edgar Allan Poe)
Sam Ou, cello
Steve McConnell, narrator
Larry Bell, piano

THE BLACK CAT harkens back to the monodrama made popular in the nineteenth century by such Liszt melodramas as Der Traurige Monch. Richard Strauss’s later monodrama Enoch Arden, recorded by Claude Reins and Glenn Gould, inspired my adaptation of Edgar Allan Poe’s familiar tale of murder and madness.

I augmented the monodrama’s typical narrator-and-piano instrumentation to include a cello. The cello represents the cat; the piano portrays the man telling the story and also sets the climate for the individual scenes. The cello has its own leitmotifs, for example, a tritone glissando that mimics a “meow” similar to the effect found in Ravel’s animal opera.

Although the narrator’s part is not notated musically, I carefully connected the words with the accompanying music. Poe’s characteristic blend of the horrible and the ordinary is not without moments of humor—after all, a grown man is driven crazy by an innocent small animal!

The Black Cat (1987) was commissioned by New York Philharmonic cellist Eric Bartlett and made possible by his grant from the National Endowment for the Arts. He premiered the work at the 92nd Street Y in New York with myself as narrator and pianist Wu Han. Other performances include one with tonight’s narrator—Steve McConnell—with cellist Andrès Díaz and pianist Michael Dewart. Bartlett recorded the piece on North/South Recordings (N/SR1018) with myself on the piano and Robert J. Lurtsema narrating. —Larry Bell

Service performance of Concord Hymn, from A Unitarian Service by Larry Thomas Bell performed by the chorus of the First Church Boston, Paul Cienniwa, conductor, Sunday Oct. 30, 2011.

Philip Lima and Larry Bell in concert, Sept. 15, 2011, in the first performance of “Revels“, a song cycle based on poems by Ben Jonson, performed at the Berklee College of Music.

June 13, 2011 performance of Larry Thomas Bell’s “Baroque Concerto.” Soloists, Aldo Abreu, Paul Cienniwa, and Sam Ou, conducted by the composer. The orchestra is made up of NEC faculty and students. Performed at the First Church of Boston as a fringe concert of the Boston Early Music Festival.

Dr. Paul Cienniwa plays the Boston premiere of Larry Thomas Bell’s Partita no. 1 for solo harpsichord, Sunday, March 28 at 3:00 p.m. at The First Church in Boston.

Jan. 31, 2009 – Matthew performs Dr. Larry Thomas Bell’s Invention No.15 in B Minor (part of Fifteen Two-Part Inventions, Op.96) in a Contemporary Music Festival. The composer, Dr. Bell, was in the audience when all 15 inventions were played by different students. (Keller Room, New England Conservatory, Boston, Mass.)

Toccata from Larry Thomas Bell’s seven-movement “Liturgical Suite” recorded on the Stevens-Hall-Lahaise organ in the reverberant acoustics of Our Lady’s Church in Newton, MA, performed by Richard Bunbury. The suite was professionally recorded for CD release later in 2008.